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We invite you to submit your work for volume 8 (year 2023) of Revista Gesto, Imagem e Som - Revista de Antropologia (GIS). To do so, make your submission until 08/30/2022.
Check the submission rules at: https://www.revistas.usp.br/gis/about/submissions
After this date, you will also be able to submit your work which, if approved, will be published in volume 9, year 2024.
CALL DOSSIER “WORLDS IN PERFORMANCE: NAPEDRA 20 YEARS”
Deadline for submission of works: August 30, 2022 via the website: https://www.revistas.usp.br/gis
This dossier is one of the offshoots of the Seismology of Performance: Napedra 20 Years event, held between November 22 and December 10, 2021. Created in 2001, Napedra – USP's Anthropology, Performance and Drama Center – arises from the meeting of anthropologists in search of knowledge produced in art workshops, with artists in search of knowledge associated with the craft of anthropologists. It resonates with the sounds and noises of a “performative turn” in anthropology, which began in the 1970s, and is updated in surprising ways here and now. Between the arts and sciences, the concept of performance takes on varied, changing and hybrid forms. There is something unresolved in this concept that resists definitive formulations and disciplinary boundaries. In 1977, one of the gravitational centers of an emerging field emerged in the universe of anthropology. Victor Turner, an anthropologist in search of knowledge of the performing arts, meets Richard Schechner, a theater director who, in his relationship with Turner, deepens his knowledge of anthropology. It is, in Napedra's experience, a luminous point that serves as a reference for one of the constellations of performance studies, in an expanding and decentered universe. Horizons widen, subverting notions of field and space, and imploding conceptions of time. Attention turns to the body. From the senses of the body, the senses of worlds are created and f(r)icated. In performance, worlds are formed and transformed. In noise, residues and structurally remote elements, seismic movements, irruption and formation of emerging worlds are detected. In the whirlpools of your creation are worlds that have not yet come to be. Above all, what drives Napedra participants, in partnerships with researchers from other research groups in Brazil and overseas, are the prospects of exploring some of the whirlpools of worlds in performance.
For instructions and guidelines on submissions, consult the GIS website - Gesto, Imagem e Som - Revista de Antropologia.
Afro-Sampas, a film produced at LISA and co-directed by Jasper Chalcraft and Rose Satiko Gitirana Hikiji, was selected for the film show of the Portuguese Association of Anthropology. The film can be seen at https://lisa.fflch.usp.br/afrosampas
More information about the project at https://afrosampas.org
Film show website: https://apa2022.apantropologia.org/chamada-filmes/
Throughout the history of anthropology, the city's heterogeneity and diversity have been perceived as the driving force in the production of urban spaces and borders. The city starts to be conceived as a specific environment capable of conglomerating differences through its economic and institutional base or through identification processes. However, there is little systematization of the relational processes that lead to the production of inequalities and the crystallization of differences, and notions such as identity, culture and race have been seen as elements prior to the constitution of urban relations that establish them. Thus, although urban studies, on their most different fronts, are permeated by the meta-narratives of urbanization, modernization, development and their constant crises, the counterparts that define such narratives are rarely made explicit. In this dossier, we are interested in scrutinizing how different processes of racialization were consistent with the production of urban diversity and inequality in different cities around the globe. In this sense, we are interested in research aimed at investigating social processes, intellectual itineraries, agents, social movements and different bureaucratic, technical and scientific institutions that defined and shaped racializing categories that (re)produce the various urban social groups, as well as the practices and mobilized logics. We invite articles that seek to think about race and city not from a priori conceptual categories, preexisting relationships, but that seek to ethnography both processes of racialization of urban groups and assemblages produced around the idea of race. Finally, we invite critical texts of established narratives about cities and urbanization in the social sciences from different metropolitan realities in different regions of the world.
More information on publication standards can be found at: https://journals.openedition.org/pontourbe/3512
We are available,
Editorial Commission of Ponto Urbe - Journal of the Center for Urban Anthropology at USP.
Applications for the GT "The challenge of the urban: intersections, resistances, utopias" (coordinated by Graça Cordeiro and Joan Pujadas, with Heitor Frúgoli Jr. as debater) at the next APA congress (Évora, 6-9/9/2022, https://apa2022.
Luís Michel Françoso (PPGAS-USP) participated in an article by SPTV (Globo) about improper construction in an urban area listed by Conpresp.
Registration is now open for the WG "The challenge of the urban: intersections, resistances, utopias" (coordinated by Graça Cordeiro and Joan Pujadas, with Heitor Frúgoli Jr. as debater) at the next APA congress (Évora, 6-9/9/ 2022, https://apa2022.
We are happy to release the new 11 entries published in the Anthropology Encyclopedia (EA) this semester, including biographical profiles on indigenous intellectuals, anthropologists and anthropologists from Algeria, United States and India, works and concepts, as well as our first subfield entry. The entries will be released throughout this week and the next on our social networks: @ea_antropo (Twitter and Instagram). Help spread the word about EA by sharing it in your study and research groups, also on your lists. Next contributions will be received by the end of March 2022. See the website: ea.fflch.usp.br/
The film Woya Hayi Mawe - Where are you going?, produced by LISA directed by Rose Satiko Hikiji and Jasper Chalcraft and edited by Ricardo Dionisio, received the Honorable Mention in the feature film category, at the Ana Maria Galano award, at the 45th. ANPOCS Annual Meeting. The film and other materials from the anthropologists' research with African artists residing in São Paulo are available at http://www.usp.br/afrosampas
What do African musicians and artists who arrived in São Paulo in recent years bring in their luggage? What impacts do they have on the artistic worlds and on social struggles in the city?
The Afro-Sampas website brings together, in films and essays, the music and art that are born from the encounters between Africans and other inhabitants of this megalopolis.
Visit and watch the full documentary Woya Hayi Mawe – Where are you going?, starring the Mozambican Lenna Bahule, and the short Tabuluja (Wake up!), with the Congolese Shambuyi Wetu. Also visit Afro-Sampas, the meeting of Lenna, Yannick Delass (Democratic Republic of Congo), Edoh Amassize and Sassou Espoir Ametoglo (Togo) with Brazilians Ari Colares, Chico Saraiva and Meno Del Picchia. Also access photo essays, performance records and more.
Afro-Sampas is the result of the project “Making music and African cultural heritage in São Paulo”, developed by anthropologists Rose Satiko Gitirana Hikiji and Jasper Chalcraft, together with the FAPESP Thematic Project “Local music: new tracks for Ethnomusicology” (2016/05318- 7), and has the support of the Pro-Rectory of Culture and Extension of the University of São Paulo through the 5th EDITAL SANTANDER/USP/FUSP for the Promotion of Culture and Extension Initiatives.